Reid School of Music
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The Reid School of Music at the University of Edinburgh has a long and distinguished history, combining tradition with innovation, and theory with practice. The School has a broad view of music, not confined to one kind of musical genre or tradition but engaging with classical and popular music, Western and non-Western music, professional and amateur music making.
Sub-communities within this community
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Sonikebana
Sound installations
Collections in this community
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Creative Music Practice
Research outputs for Creative Music Practice -
gruntCount
Recordings of music made using gruntCount and documentation of their development -
LLEAPP 2009
Laboratory for Laptop and Electronic Audio Performance Practice -
LLEAPP 2013
Laboratory for Laptop and Electronic Audio Performance Practice -
Music Research Seminars (Recorded)
Audio recordings of seminars -
Orchestral conducting motion capture
Empirical observations on the kinematic features evident in orchestral conducting practice -
Pixidust project - reciprocating audio/visual music using modular synthesis and PixiVisor software
Including performances with Yati Durant, Jules Rawlinson and Ensemble Biondi/Brunialti -
Spontaneous Compositions for Screen project
Electro-acoustic performances involving Yati Durant, Christian Aalby Svalesen, Jack Weir & others
Recent Submissions
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Saundaryalaharī Ph.D. portfolio audio and video material
This dataset is comprised of the audio and video material that contributes to the Ph.D. Composition portfolio Saundaryalaharī by Yati Durant (2022). List of contents: Reflections: Duo Canon (audio), 19’30”, Two pianos/four ... -
Creative Music Practice PhD: "Playing no solo imagination: synthesising the rhythmic emergence of sound and sign through embodied drum kit performance and writing." Rhythmic Figure Audio Recordings: Ductus, Nsular
Rhythmic Figure Audio Recordings: Ductus, Nsular. This is a collection of audio files to accompany a Creative Music Practice PhD Thesis submission, "Playing no solo imagination: synthesising the rhythmic emergence of ... -
Scripts - software suite, scores and documentary recordings
The files included here are a set of live performance recordings of Scripts, performed live at St Giles Cathedral in Edinburgh by the Quasar Sax Quartet with computer processing by Martin Parker. Quasar Saxophone Quartet ... -
Sonikebana, version 1.0 documentation example
This is a recording of a sound installation hosted at St. Cecilia's Hall, Edinburgh on the 4th and 5th April 2018. The project was designed for the OrganiCity-funded smart-cities project called City Sounds. This is a mix ... -
UK Live Music Census toolkit
The UK Live Music Census toolkit is intended for any people or organisations seeking to measure the value of live music in their local area. It draws on our own experiences of running live music censuses in cities across ... -
Valuing live music: The UK Live Music Census 2017 report
The UK’s first ever national live music census took place in 2017. For 24 hours from noon on Thursday 9th March, volunteers in cities across the country went out and about to live music events, from pub gigs to massed ... -
Pixidust - Yati Durant (r) and Jules Rawlinson (l) 26.05.17 take 2 (repatch)
This is an audio recording of the second take of improvisations by Yati Durant and Jules Rawlinson on 26th May 2017 using two modular synthesizers and an Elektron Machinedrum mixed directly to the input of Pixivisor software. ... -
Pixidust - Yati Durant (r) and Jules Rawlinson (l) 25.05.17 take 3
This is an audio recording of the third take of improvisations by Yati Durant and Jules Rawlinson on 25th May 2017 using two modular synthesizers and an Elektron Machinedrum mixed directly to the input of Pixivisor software. ... -
Pixidust - Yati Durant (r) and Jules Rawlinson (l) 25.05.17 take 1
This is an audio recording of the first take of improvisations by Yati Durant and Jules Rawlinson on 25th May 2017 using two modular synthesizers and an Elektron Machinedrum mixed directly to the input of Pixivisor software. ... -
Pixidust - Yati Durant (r) and Jules Rawlinson (l) 26.05.17 take 1
This is an audio recording of the first take of improvisations by Yati Durant and Jules Rawlinson on 26th May 2017 using two modular synthesizers and an Elektron Machinedrum mixed directly to the input of Pixivisor software. ... -
Pixidust - Yati Durant (r) and Jules Rawlinson (l) 26.05.17 take 3
This is an audio recording of the final take of improvisations by Yati Durant and Jules Rawlinson on 26th May 2017 using two modular synthesizers and an Elektron Machinedrum mixed directly to the input of Pixivisor software. ... -
Pixidust - Yati Durant (r) and Jules Rawlinson (l) 25.05.17 take 2
This is an audio recording of the second take of improvisations by Yati Durant and Jules Rawlinson on 25th May 2017 using two modular synthesizers and an Elektron Machinedrum mixed directly to the input of Pixivisor software. ... -
Orchestral conducting motion capture data
## Overview ## This data set includes 54 items of motion capture data in C3D format, featuring recordings of orchestral conductors’ physical movements. These were collected in the biomechanics laboratory at the Institute ... -
Improvising Duos - visual interaction collection
This dataset includes 24 items of audio-visual data in MP4 format, featuring recordings of live, improvised musical duo performances collected in Leipzig, Germany between April-July 2011 as part of the Improvising Duos ... -
Häxan concert 31.10.15 mix 1
This is the complete 2 hour performance of a spontaneous composition concert in the Reid Concert Hall on 31st October 2015 to the film Häxan (1922) by Benjamin Christensen with a score by Yati Durant. The ensemble was made ... -
Improvising Duos - Audio only
This dataset comprises the audio recordings created as part of the Improvising Duos project. A small portion of the complete audio recordings were used to create the stimuli for the perceptual study reported in Moran, ... -
Negotiating Sonic Space for Group Electronics
Audio, video, image and PDF files relating to practice-led research supporting an article entitled "Negotiating Sonic Space for Group Electronics" Music and Sonic Art. (ed. Mine Dogantan Dack) Cambridge Scholars Press, ... -
Interpretation and performance practice in realising Stockhausen’s Studie II
This collection consists of audio, video, images and spreadsheet data relating to my new realisation of Stockhausen's "Studie II". This material is supplemental to an article for the Journal of the Royal Musical Association ... -
Some Thoughts on Cinematic Listening
In this video essay I explore the idea of cinematic listening, drawing on my experience as a teacher and researcher of film audio-viewing and as an audio-viewer myself. The initial focus is Jules Dassin's heist film Rififi ... -
Meanings of Interaction Among Musicians Improvising (MIAMI)
Post-genre improvisation is a key direction in current music, and is aligned with trends in other arts (e.g. performance and sound art, collaborative or process-based practice). Collective improvisation demonstrates a ...